Take your technique to the next level!
This class will enrich your technique, help you make more specific choices, and facilitate acting from a place of truth by utilizing
Uta Hagen’s Object Exercises and applying them to your practice and process.

Safety on set is goal #1. This workshop will cover vital safety information and provide a broad firearms orientation to create an excellent foundation for industry safety.

This two-day intensive will provide students with a series of physical, vocal, and improvisational tools that will help expand range, sustain choices, and still deliver grounded, believable on- camera performances. The workshop will include practical exercises applied to scriptwork and video review of performance.

The key to your success as an actor is “Living TRUTHFULLY under imaginary circumstances”. How can we accomplish that?
We believe it starts with the Meisner Technique and understanding its key factors of being in the moment, listening, freely being able to use your imagination, and letting yourself be affected truthfully by the other human in front of you.
This class is a prerequisite to our full 6 Month Meisner and Movement Intensive.

Don’t think there’s a difference between acting on stage and in TV/film? Do you watch a movie or TV show & say, “I can do that and better”? Then this class is for you. Drama Inc.’s On-Camera 1 teaches the beginning actor, as well as the seasoned stage actor, the basics of acting on camera for television and film. We’ll teach you how NOT to act. What? You’ll learn about eyeline, camera blocking, master shots, mics…

Don’t think there’s a difference between acting on stage and in TV/film? Do you watch a movie or TV show & say, “I can do that and better”? Then this class is for you. Drama Inc.’s On-Camera 1 teaches the beginning actor, as well as the seasoned stage actor, the basics of acting on camera for television and film. We’ll teach you how NOT to act. What? You’ll learn about eyeline, camera blocking, master shots, mics…

This class is open to students who are new to this technique and its vocabulary and is best suited for those that have little to no technique training. If you’ve previously taken Chubbuck at DI or elsewhere and want to get a refresher, you are welcome to jump in to this 8 week session until we resume the ongoing class

10 Good Pages is an introductory screenwriting class with the goal of helping writers develop a practical toolkit for short and feature film writing. Whether you’re a beginner or more experienced writer looking to tackle a specific film project, this course will give you the time and space to apply and experiment with writing techniques for the big and small screen.

Ever get an audition and wonder, how in the world am I supposed to make that work in a self tape? Whether it is a kiss, an arrest, a chase scene, a surgery, or something stranger, April and Michael have got you covered.

Objective of this class…is for every actor to leave with a fully-equipped tool belt, in regards to breaking down a script, and the ability to apply that new found knowledge to their performance.

This class is designed to expand your emotional range and capacity. The aim is to teach you how to create deeper, more interesting, and more consistent performances.

You will learn a clear concise, process to quickly break down your text/scene/script a variety of memorization techniques to help develop your own process physical & mental relaxation techniques & confidence builders to change that nervous energy into excitement

Each week the students will get mic time emphasizing the specific lesson of the week and the recordings of that time will be provided to them for reference. My goal is to give each student, not only a basic knowledge of narration, and techniques to help them refine their craft, but to also give them a firm grasp of what the business of narration entails.

This Linklater-based class is a synergy of Linklater fundamentals with a unique mix of exercises developed by Kathleen over the span of her training. In this class, we will explore vocal techniques and step-by-step practical exercises that allow actors to free their individual voices when they speak. Speaking is a physical act engaging the senses, the emotions and the breath. By liberating our voices, we can unite the voice, the senses, the emotions, and the breath with the character. In this way, we use the entirety of ourselves, and are fully present and authentic in our work.

This class will give you the tools to break down the sides, research the project, memorize and make strong choices in a short amount of time. Each week you’ll receive a script with a quick turnaround time for submission. You’ll also learn some basic tips for taping at home.

Class objectives: Preparation to begin taking on an accent, Comprehension of IPA , Comprehension reading and transcribing with IPA, Vocal warm up and care, Introduction and practice with RP and General American dialects

Ready to get serious about your acting? Our Meisner and Movement Intensive is the closest you’ll get to a full conservatory-like program in the Southeast. Invest in your acting technique with Dustin and Eliana for 6 months, and get ready to take your work to a more truthful, emotional level. Featuring a combination of traditional Meisner training and the Viewpoints movement technique, the intensive is a comprehensive blend of internal and external acting approaches designed to craft a process that works for you.

The Viewpoints technique is perfect for the actor who wants to get out of the head and into the body. It’s an energizing movement method designed to teach you to follow your impulses, free yourself from judgment, and make bold choices